The other reason we judges were at the Troy was to judge the fair entries in the various craft categories. entries were down this year, but we kept quite busy with what was at hand. Here are some snippets. And then there was some shopping…
Loch’s Maple Fiber Mill was where two of us bought rovings ready to spin. A half pound each of some lustrous mohair and Wensleydale wool came home with me. Sharon got those as well as most of a light grey Teasdale/Wensleydale roving. I highly recommend Randy and Jamie’s business. They have machines imported from Europe so are able to process fiber into very fine rovings. They have a 16 month backlog for processing!
There were lots of fleeces for sale, like these from Mary Stepney’s sheep. Mary herself no longer runs her place. The prices have gone up considerably: $15.00 per pound for raw skirted fleeces! They are beautiful.
Here are three examples of yarn we judged: a hand spun boucle (say boo-clay since diacritical marks are outside my skill level to apply), paper yarn, and hand-dyed mohair locks spun into yarn. The boucle was a wonder: it was also entered in the sheep to shawl in the warp as an accent in the Dream Weaver’s teal-winged duck shawl. The paper yarn is for display and spun from old tissue sewing patterns. The goat yarn is pretty and had a hard hand; its intended use was for ornamenting a scarf which we felt might one would not want in contact with skin.
The drop spindle contest. Who can spin the longest thread in ten minutes. For the first time in memory, we had a tie for first place: a very fine grey wool and a thick, dark brown camel both had 52 yards on the spindle–more than twice as much as any others. If I am recalling correctly.
The Spinning Bunny was there, too.
Above are the three shawls that we gave special prizes to. The Crab Nebula shawl was designed for a Ravelry contest. The entrant even had a photo of the Crab Nebula attached to show us how well she did. It is wool and silk. The gold shawl was spun on a drop spindle and plied on a wheel. It had some angelina in it so in certain light is looked as if it was covered with gold leaf. And the rust colored shawl was from yarn spun more thick but incredibly softly and knitted into a lovely leaf-edged pattern.
More entries. Please note the blanket in the lower left hand corner. It was our best of show. Spun by the young weaver for Cat’s Cradle. It was her second project ever. She included her pattern draft, a color card of all the yarns she used–all hand spun and hand dyed by herself. It was soft and the colors worked well together.
And it was beautiful. The photo does not do it justice.